36 Brody Sandor utca
In his series 'Synesthesia', young Hungarian photographer Balazs Csizik (1987) observes the materiality of our built environment. The buildings and the surrounding spaces serve as a canvas, which is colored and shaped according to the dynamic range of the image. Csizik reflects on abstract photography, contemporary architecture and the tradition of constructivism and suprematism. Thus, the artist puts the Eastern-European phenomena of post-socialist visual culture in a different perspective.