German Lorca. Castor bean, 1960. Vintage gelatin silver print. 12 x 18 in / 30,5 x 46,5 cm.
German Lorca. Castor bean, 1960. Vintage gelatin silver print. 12 x 18 in / 30,5 x 46,5 cm. 
German Lorca. Boys running, 1960. Vintage gelatin silver print from 1970s. 14 15/16 x 19 1/16 in / 38 x 48,5 cm. Adenor Gondim. Saints from the town of Cachoeira, Bahia, Brazil, 1993. Vintage gelatin silver print. 13 1/4 x 9 7/16 in / 33,7 x 24 cm. Luiz Carlos Felizardo. Old Tucson, AZ, USA, 1984. Vintage gelatin silver print. 7 1/16 x 9 1/16 in / 18 x 23 cm. Luiz Carlos Felizardo. Zabriskie Point, CA, USA, 1985. Vintage gelatin silver print. 7 1/16 x 9 7/16 in / 18 x 24 cm.
 
Dulce Carneiro. The dream, c. 1958. Vintage gelatin silver print. 15 1/4 x 11 5/8 in / 38,8 x 29,5 cm.  Alice Kanji. Two generations, year of circulation 1981. Vintage gelatin silver print. 15 9/16 x 11 5/16 in / 39,5 x 28,8 cm.   Celso Brandão. "Papangu", typical Carnival costume from the town of Bezerros, Pernanbuco, Brazil, 1999. Vintage gelatin silver print. 9 13/16 x 8 3/16 in / 25 x 20,8 cm.  Celso Brandão. "Bobos", Carnival masks from the town of Tatuamunha, Alagoas, Brazil, 1997. Vintage gelatin silver print. 10 7/16 x 8 9/16 in / 26,5 x 21,8 cm. Barbara Mors. Metallic composition, undated. Vintage gelatin silver print. 11 5/8 x 9 9/16 in / 29,6 x 24,3 cm. 

Utopica


Rua Rodésia 26  
05435-020 São Paulo
 

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Brazilian photographers with a long and established trajectory but rarely seen by international audiences. Luiz Carlos Felizardo, who was a disciple of Frederick Sommer. German Lorca alongside his contemporaries, Dulce Carneiro, Alice Kanji and Barbara Mors, focusing on women photographer who were active in the Foto Cine Clube Bandeirante. Celso Brandão, whose work in photography and cinema derives from a tradition in ethnography. And Adenor Gondim's unique take on Black syncretism in Brazil.